helnwein archive

The Irish Times – August 18, 2001

Installation at the Kilkenny Arts Festival

GARDAÍ INVESTIGATE KILKENNY ART ATTACKS

by Chris Dooley, South East Correspondent

Gardaí [the Irish police] are investigating attacks on two images by the controversial Austrian artist, Gottfried Helnwein, displayed as part of the Kilkenny Arts Festival.

The Irish Times – August 12, 2001

Installation at the Kilkenny Arts Festival 2001

KILKENNY ARTS FESTIVAL NOT WITHOUT ITS SHARE OF CONTROVERSY

by Judith Crosbie

Installation at the Kilkenny Arts Festival 2001

The canvases showing images from the Nazi era just left them confused, but the throngs who visited Kilkenny during the weekend snapped away with their cameras all the same.

The Sunday Times, Ireland – August 5, 2001

The Sunday Times, culture, cover story, 2001

SHOCK ART

by Medb Ruane

The Sunday Times, culture, cover story, 2001

The disturbing Work of Helnwein comes to Ireland Helnwein is a headline artist who works in tight sound bites on a very large scale. The works brand themselves with proof of his technical know-how in various media and are endorsed by the coolest celebrities of his generation. So much for the cover-story, so what lies within? Headlines lure you into stories that make you want to cry, smile or help to change the world. But when they stop at your own skin, you can get a sinking feeling, a sense of the bigness and badness outside and the impossibility of change.

The Irish Times – August 1, 2001

Installation at the Kilkenny Arts Festival 2001

CUTTING EDGE

by Aiden Dunne

Installation at the Kilkenny Arts Festival 2001

While it is a painting, Epiphany is typical in its almost interchangeable use of photography and painting: both played their part in the achievement of the eventual, quasi-photographic image. He is a fine photographer, and his photographic portraits of Kilkenny children (enlarged to an enormous scale) form one strand of his festival exhibitions. The careful adaptation of existing imagery is another trait, and his references extend back through fine art history as well as history itself...

The Irish Independent – August 1, 2001

Installation at the Kilkenny Arts Festival 2001

CHILDHOOD DEFILED, STARKLY PORTRAYED

by Patricia Deevy

Installation at the Kilkenny Arts Festival 2001

Once an agitated spectator wondered how an apparently nice man could produce such disturbing imagery. Helnwein replied: "What bothers you is the pictures that get triggered in your own head." Perusing a catalogue of his work in preparation for a meeting is a journey through disgust, fear, fascination and admiration to finally - almost - attachment.

The Irish Independent – August 1, 2001

Installation at the Kilkenny Arts Festival 2001

THOUSANDS EXPECTED TO ATTEND ARTS FESTIVAL

Installation at the Kilkenny Arts Festival 2001

Record numbers are expected to visit Kilkenny's art festival over the next week.
Organisers say attendance at shows and exhibitions on the first weekend indicates that up to 80,000 people will have visited by the time the 10-day event finishes next Sunday.
The main talking point of the festival is a series of paintings including one by world-renowned Austrian painter Gottfried Helnwein, who took an old photograph of Adolf Hitler surrounded by children and replaced it with the Madonna and Child surrounded by SS officers.
Heinwein's paintings are hanging on a number of buildings around the city, including Kilkenny Castle, the National Irish Bank and the Watergate Theatre.
Funding for the festival is the highest to date with the organisers receiving more than £400,000.

Kilkenny People, Ireland – July 27, 2001

Installation at the Kilkenny Arts Festival 2001

A HANGING MATTER?

by Sean Keane

A major controversy has erupted over plans to hang huge paintings outside City Hall during the Kilkenny Arts Festival. Examples of the paintings to be displayed were shown to members of Kilkenny Corporation on Monday night and it sparked uproar in the chamber.
Cllr Paul Cuddihy rose to his feet and said that the city would be seen to be promoting the people responsible for the Second World War and the Holocaust if paintings like the one handed out at the meeting were allowed to be displayed outside City Hall.
He was referring to a controversial picture by Gottfried Helnwein, the internationally acclaimed Austrian artist who wants to display his work in the city during the Arts Festival. Arts Minister, Sile de Valera had already given the green light to hang some of his latest pieces from the front of Kilkenny Castle.

The Irish Times – July 26, 2001

Installation at the Kilkenny Arts Festival 2001

DISPUTE OVER NAZI IMAGES IS RESOLVED

by Chris Dooley

Installation at the Kilkenny Arts Festival 2001

A former mayor of the city, Mr. Paul Cuddihy, objected to a proposal to display one of the images on the City Hall after it was shown to members of Kilkenny Corporation on Monday night. After visiting the artist at his home in Co.Tipperary, however, the Fine Gael councillor said Mr. Helnwein was an "astonishinlgy good" artist whose works would have a "huge visual impact" on next month's festival.

Kilkenny Arts Festival 2001, catalogue – July 1, 2001

Installation at the Kilkenny Arts Festival 2001

GOTTFRIED HELNWEIN

by Clare O' Donoghue

Installation at the Kilkenny Arts Festival 2001

One of the most exciting aspects of prgramming the visual arts for the Kilkenny Arts Festival has to be the organic nature of the event, the opportunity it affords to take ideas and allow them to grow and develop. The interaction between the people involved is what makes these exhibitions so special. In this showing of new and existing works by Gottfried Helnwein what started as a small part of the visual arts programme has, because of the power of the artist and his work and the openness of the whole festival team involved, grown to make a substantial statement and to produce an exhibition that is very particular to this city. Although some of the works have been shown in other cities around the world, the particularity of the chosen sites and the involvement of the local community make this an exhibition not just about the artist and his work, but also about the people of Kilkenny.

Die Welt – June 20, 2001

Strawinsky's "The Rake's Progress", 2001

DIE PREMIERE VON STRAWINSKYS "THE RAKE'S PROGRESS

by Doris Banuscher

Strawinsky's "The Rake's Progress", 2001

Lang anhaltender Applaus, Bravorufe, nicht ein einziges Buh ertönte.
Die Premiere von Strawinskys"The Rake's Progress" in der Inszenierung von Jürgen Flimm an der Hamburgischen Staatsoper fand eine tolle Resonanz beim Publikum .
Musikalischer Leiter war Ingo Metzmacher und der international bekannte Künstler Gottfried Helnwein begeisterte mit seiner Ausstattung.